第七屆濟(jì)南國際攝影雙年展邀請展：
《從長安到羅馬——中意院校攝影邀請展》
主辦：中國濟(jì)南國際攝影雙年展組委會
承辦：西安理工大學(xué)藝術(shù)與設(shè)計(jì)學(xué)院
協(xié)辦：特想集團(tuán)·大師工坊
地點(diǎn)：山東工藝美術(shù)學(xué)院2號館、3號館
時(shí)間：2018年10月25日至30日
總策劃：曾毅
策展人：張輝 、Angelo Collura (意大利) 、Alfred Mirashi(意大利)
長安是中華文化的典型代表之一，羅馬也是西方世界中無可替代的文明高地。一個(gè)是以其“壯麗”而達(dá)“重威”，一個(gè)是用大理石建造的“永恒城市”，他們東西相望，在各自不同的地點(diǎn)構(gòu)建出濃墨重彩的文明譜系。回望歷史，自公元前140年張騫鑿空之始，經(jīng)過公元609年隋煬帝西行，到公元1298年的馬可波羅游記，都在絲綢之路上演繹著水乳交融的歷史篇章，中意文明交流的成果也一直影響著現(xiàn)今世界的我們。
2018年，距那第一個(gè)東西方交流的歷史瞬間，已經(jīng)橫亙了2158年。如今，在中國濟(jì)南國際攝影雙年展的平臺上，我們有機(jī)會能將15中國個(gè)藝術(shù)院校及10個(gè)意大利藝術(shù)院校的師生影像作品，通過展覽的形式，集中呈現(xiàn)給大家，就是期望中外高校借此機(jī)會相互交流相互學(xué)習(xí)。由于文化、經(jīng)濟(jì)、政治背景的區(qū)別，中意兩國在藝術(shù)認(rèn)知、攝影觀念表達(dá)和展現(xiàn)中，有較大的差異。但兩國高校的教師
和學(xué)生在作品中都是力求關(guān)注現(xiàn)實(shí)、關(guān)注生活、關(guān)注自我生存體驗(yàn)，他們用當(dāng)代視覺藝術(shù)的方式，傳達(dá)了中意青年藝術(shù)家對夢想追求的理念，這種文化和地域的差異在此次展覽的藝術(shù)語言中重逢、相通，并獲得完全的新生。
望此次展覽中那些充滿活力和藝術(shù)魅力的攝影作品能在中西方文明交流過程中，增添新的光彩。
張輝
From Chang'an to Rome
Chang'an is one of the typical representatives of Chinese culture, and Rome is also an irreplaceable civilization highlands in the western world. Chang'an is "magnificent" and "majestic", and Rome is the "eternal city" built with marble, and they construct rich and colorful civillization in the East and the West. Looking back at history, since the beginning of Zhang Qian’s departure to the western region in 140 BC, after Emperor Sui’s western journey in 609 AD, to Marco Polo’s travels in 1298 AD, they all play harmonious historical chapters on the Silk Road, and the achievements of China-Italy cultural exchanges have also been influencing us in the world today.
In 2018, 2158 years have passed since that first historical moment of east-west communication. Today, on the platform of the Jinan International Photography Biennale in China, we have the opportunity to show the images of teachers and students from 13 art schools in China and 10 art schools in Italy through the form of exhibitions. We hope that Chinese and foreign universities take this opportunity to exchange and learn from each other. Due to the differences in culture, economy and political background, China and Italy have great differences in artistic cognition, photographic concept expression and works presentation.
However, the students of the two universities in the two countries are striving to pay attention to reality, life and self-survival experience. They use the way of contemporary visual art to convey the idea of young students in both countries to pursue their dreams. This cultural and geographical differences will reunit and communicate in the artistic language on this exhibition and will be completely revitalized.
It is hoped that the vibrant and artistically fascinating works in this exhibition will add new brilliance to the exchanges between Chinese and Western civilizations.
Zhang Hui
意大利參展院校：
佛羅倫薩國立美術(shù)學(xué)院、拉文納美院、卡拉拉美院、福賈美院、阿奎拉美院、巴勒莫美院、威尼斯美院、都靈美院、米蘭布雷拉美院、卡坦扎羅美院 、雷焦卡拉布里亞美院、 那不勒斯美院、烏爾比諾美院
中國參展院校：
中央美術(shù)學(xué)院、中國美術(shù)學(xué)院、清華大學(xué)美術(shù)學(xué)院、魯迅美術(shù)學(xué)院、西安美術(shù)學(xué)院、南京藝術(shù)學(xué)院、天津美術(shù)學(xué)院、上海美術(shù)學(xué)院、山東工藝美術(shù)學(xué)院、西安理工大學(xué)、北京印刷學(xué)院、湖北美術(shù)學(xué)院、浙江傳媒學(xué)院、黃河科技學(xué)院、上海工程技術(shù)大學(xué)
執(zhí)行委員會
執(zhí)行策展人：王怡卜、王碩
展覽監(jiān)理：羅斌
微信推廣：李文澤、賈詩楠、張心睿
海報(bào)設(shè)計(jì)：李家燕
展覽時(shí)間：2018年10月25日至30日
展覽地點(diǎn)：山東工藝美術(shù)學(xué)院2號館、3號館
佛羅倫薩國立美術(shù)學(xué)院
Academy of Fine arts of Florence
佛羅倫薩國立美術(shù)學(xué)院
佛羅倫薩國立美術(shù)學(xué)院（意：Accademia di Belle Arti di Firenze， 英：Academy of Fine arts of Florence）1785年成為國立美術(shù)學(xué)院，學(xué)院是歐洲文藝復(fù)興的產(chǎn)物，也對歐洲文藝復(fù)興產(chǎn)生過巨大影響，因?qū)κ澜缑佬g(shù)界，世界美術(shù)教育作出的不可磨滅的貢獻(xiàn)，所以有“世界美術(shù)最高學(xué)府”和“寫實(shí)主義大師匯集的皇家美術(shù)學(xué)院”之稱，與意大利馬蘭歐尼學(xué)院并稱造型類和設(shè)計(jì)學(xué)的雙雄。由佛羅倫薩學(xué)院美術(shù)館收藏的文藝復(fù)興雕塑巨匠－－米開朗基羅的作品《大衛(wèi)》（David)更是聲名遠(yuǎn)揚(yáng)，蜚聲世界。是眾多藝術(shù)家、學(xué)者、游客、學(xué)生心中的圣地。佛羅倫薩，世界藝術(shù)之都，歐洲文藝復(fù)興的發(fā)源地和最主要的城市孕育了美術(shù)學(xué)院的誕生，文藝復(fù)興以來大師云集，達(dá)芬奇（Leonardo Da Vinci），米開朗基羅(Michelangelo)，但丁(Dante)，彼德拉克，薄伽丘，喬托(Giotto)，拉斐爾，馬薩喬，多納泰羅(Donatello)，布魯涅列斯基，喬爾喬內(nèi)，提香。
The National Academy of Fine Arts of Florence (Academy of Fine Arts of Florence) became the National Academy of Fine Arts in 1785. The Academy was the product of the European Renaissance and had a great impact on the European Renaissance, because of itsimmeasurable contribution to world art and world art education. The contribution of extinction, so the "world's highest Academy of fine arts" and "the Royal Academy of Fine Arts, a collection of realist masters," said, with the Italian Malano Oni College, known as modeling and design of the male and female. Michelangelo's David, a renowned Renaissance sculptor collected by the Florence Academy Museum of Fine Arts, is well-known all over the world. It is the holy land of many artists, scholars, tourists and students. Florence, the capital of the world's art, the birthplace of the European Renaissance and the leading city gave birth to the Academy of Fine Arts. Since the Renaissance, great masters have gathered, Leonardo Da Vinci, Michelangelo, Dante, Pidrake, Boccaccio, Giotto, Raphael, Massa. Joe, Donald Taylor (Donatello), Blue Nereski, Giorgio Hei, Titian.
Erika Pellicci
Erika Pellicci于1992年出生于巴爾加（LU），2016年獲得佛羅倫薩美術(shù)學(xué)院的一級文憑。 目前他正在ABABO學(xué)習(xí)攝影。 他的研究重點(diǎn)是對場所和博覽會的描述。 參加2016年佛羅倫薩“＃00 OPEN”美術(shù)學(xué)院展覽和2016年比薩“Silenzi Temporanei”Teatro LUX展覽; 通過UFO在維琴察的公開招募得以參與“S-Genetic Compositions”項(xiàng)目中的一些作品。她被Vanessa Beecroft選為VB83和VB84的表演者，在2017年SACI畫廊舉辦的“迷失雕像悖論”群展中展出; 在2017年Lucca Undergroud 藝術(shù)節(jié)l舉辦“00”項(xiàng)目，參加佛羅倫薩Chiasso Perduto的AD畫廊群展。
我看的那一刻，一切都停止了。 虛空是完整的，主體之間的空間聯(lián)系也在擴(kuò)大。 因此遠(yuǎn)離光陰的情感生活被表現(xiàn)出來，但接近當(dāng)代。 為了尋找一種令人回味的形式，我試圖捕捉當(dāng)前時(shí)刻的細(xì)節(jié)，這種方式在某種意義上讓我覺得已經(jīng)很遙遠(yuǎn)，在另一個(gè)空間，被懸空被擱置。
只有他們當(dāng)下的目擊者，會充滿一種身體無動于衷的感覺。 一本介于燈光和陰影，生與死之間的 日記。
Erika Pellicci was born in Barga (LU) in 1992, obtains in 2016 the rst level diploma at the Academy of Fine Arts in Florence. At the moment she continues her photography studies at ABABO. Her research focuses on the narration of places and expositions. Takes part in the exhibitions "# 00 OPEN" Academy of Fine Arts in Florence 2016 and "Silenzi Temporanei" Teatro LUX in Pisa 2016; participates with some works in the project "S-Genetic Compositions" through the Open call UFO be unde nited in Vicenza. She is selected as a performer by Vanessa Beecroft for the performances VB83 and VB84; exhibits in the group exhibition "The Stray Statue Paradox" at the SACI Gallery 2017; presents the "00" project at Lucca Undergroud Festival 2017, participation in the group exhibition of AD Gallery at Chiasso Perduto in Florence.
Nel momento in cui osservo, ogni cosa si ferma. Il vuoto riempie il pieno, e le connessioni spaziali, fra i soggetti, si dilatano. Si manifesta così una vita emotiva lontana dal tempo, ma vicina al presente. Alla ricerca di una forma evocativa, tento di cogliere dettagli di momenti attuali, che allo stesso modo sento esser già lontani, in un altro spazio, sospesi. I “non eventi”.
Testimoni solo del loro momento, carichi di un sentimento d’impassibilità meta sica. Un diario che spazia fra luci ed ombre, vita e morte.
作品名稱：《博洛尼亞》
作品材料：藝術(shù)微噴
作品大小：30x40
創(chuàng)作時(shí)間：2018
薩基·伊拉利亞 Sacchi Ilaria
23/09/2009–30/06/2014畢業(yè)文憑（意大利）拉斯佩齊亞市V.Cardarelli藝術(shù)高中。
在我的學(xué)習(xí)期間，我能夠深化平面設(shè)計(jì)的主要技術(shù)，特別是autocad，illustrator，photoshop的程序。 此外，在學(xué)業(yè)前兩年，我開始涉足繪畫和雕塑的主題。
01/11/2015–在當(dāng)前日期（意大利）弗洛倫薩美術(shù)學(xué)院與藝術(shù)圖形世界相關(guān)的研究：從最傳統(tǒng)的技術(shù)到最現(xiàn)代的技術(shù)。
23/09/2009–30/06/2014
Liceo Artistico V. Cardarelli, La Spezia (Italia)
Durante il mio percorso di studio ho potuto approfondire le principali tecniche di progettazione grafica con particolare riferimento ai programmi di autocad, illustrator, photoshop. Nei primi due anni, inoltre, mi sono cimentata nelle materie di pittura e scultura.
01/11/2015–alla data attuale
Accademia Delle Belle Arti, Firenze (Italia)
Studi inerenti al mondo nella Grafica d 'arte: dalle tecniche più tradizionali fino alle più moderne tecnologie.
布諾麥莉 朱麗葉 Bonomelli Giulia Curr
布諾麥莉 朱麗葉 意大利人 2018年8月4日－2018年8月18日 實(shí)習(xí)
舞臺布景設(shè)計(jì)師助理，ABC音樂節(jié) 意大利 坎皮利亞馬里蒂馬
2016年8月 實(shí)習(xí)－道具，ABC音樂節(jié)，為坎皮利亞馬里蒂馬劇院設(shè)計(jì)布置舞臺布景
2016年8月 實(shí)習(xí)－演出參與達(dá)里奧.福的戲劇《不是所有的小偷都會受到傷害》舞臺布景設(shè)計(jì)
15-10-2014 10-2018，佛羅倫薩美術(shù)學(xué)院劇院和電影院景觀設(shè)計(jì)。
文憑是一級藝術(shù)設(shè)計(jì) 適用于場景設(shè)計(jì)。
BONOMELLI GIULIA Italiana 31 ottobre10月 1995 4-08-2018 18-08-2018 Stagista Assistente scenografo ABC Apritiborgo di Campiglia M.ma ApritiBorgo Scenografia
Agosto 2016 Stagista- attrezzista
Realizzazione e allestimento scenografia nel teatro dei Concordi di Campiglia M.ma ABC Apritiborgo di Campiglia M.ma ApritiBorgo Scenografia. Agosto 2016 Stagista- realizzatrice
Aiuto realizzazione della scenografia per lo spettacolo dedicato a Dario Fo “Non tutti i ladri vengono per nuocere”Accademia di Belle Arti di Firenze Scenografia
15-10-2014 10-2018Accademia di Belle Arti di Firenze Progettazione allestimenti scenografici per il teatro e il cinema.
Diploma di primo livello in Arti applicate alla Scenografia 110 lode /110.
Federica Murittu
這個(gè)項(xiàng)目源于強(qiáng)烈的需求。我們正在拋棄手工業(yè)制造文化，我們更關(guān)注純消費(fèi)市場，而不關(guān)心產(chǎn)品的質(zhì)量和獨(dú)特性。隨后，藝術(shù)介入，其目的在于引起人們對這一問題的關(guān)注，使這項(xiàng)工藝不會消失。
該項(xiàng)目包含一系列的五張照片，記錄了佛羅倫薩和錫耶納的不同工匠，他們?nèi)詫ξ磥淼氖止ぎa(chǎn)業(yè)飽含期待。這一強(qiáng)勁的工藝需求使我與他們進(jìn)行了互動；詢問他們所從事的工作的實(shí)質(zhì)，這也許是他們從未思考過的。通過他們的回答，我決定用他們不要的衣服拍照。
這些照片是在中立空間內(nèi)拍攝的，只是為了表現(xiàn)一個(gè)沒有身份的背景，沒有更多的參考，以免給那些利用照片的人發(fā)太明確的信息。
我的項(xiàng)目是為了讓觀眾能夠思考隨著大型跨國公司的接管，手工業(yè)可能遭受的后果。
每張照片將在照片的下部顯示一個(gè)參考字幕，名稱和真實(shí)的工藝。
The project contains a series of five shots where various artisans of the cities of Florence and Siena are repre\u0002sented, who still dream of a future for their craft.
This strong demand of the craft sector has led me to have an interaction with them;
questioning them on what the job was, which, alternatively, they would never have wanted to do.
Through their answers I decided to photograph them in their unwanted clothes.
The photos were taken inside neutral spaces, just to represent a context devoid of identity, without any kind of reference in more,
so as not to give a message too explicit to those who go to take advantage of the photo.
Francesca Kezich
我作為活動發(fā)起人，在歐洲藝術(shù)節(jié)活動推廣期間，以及動畫師經(jīng)驗(yàn)，在海外居住期間跟眾多藝術(shù)家的交流中獲得了良好的溝通技巧。
在學(xué)校參與多個(gè)項(xiàng)目，保姆經(jīng)歷以及歐羅巴藝術(shù)節(jié)擔(dān)任后勤中獲得一些技能。Festival Fabbrica Europa的物流。
熟練掌握Adobe軟件：Photoshop CS5.5，Illustrator CS5.5，Indesign CS5.5。
手工工作技能：繪畫，圖形技術(shù)創(chuàng)作、制作，熟練掌握模擬和數(shù)碼攝像機(jī)，舞蹈，舞臺劇。
Isolotto船廠 ，Virgilio Sieni公司，佛羅倫薩Isolotto（新文化遺址）區(qū)的重建項(xiàng)目。
09/2017介紹都靈編舞家Chiara（基婭拉）的當(dāng)代舞蹈Muoviti Fermo（移動費(fèi)爾莫）的藝術(shù)表演。
2017年P(guān)itti Uomo之際，在佛羅倫薩植物園舉辦編舞家Chiara Burgio（齊亞拉·伯吉奧）的當(dāng)代舞蹈Vespri（晚禱）的藝術(shù)表演介紹，在Teverina的Lugnano（地名），構(gòu)思白色夜晚的火舞表演在阿爾法劇院（捷克共和國皮爾森）的舞臺上建造和維護(hù)木偶和風(fēng)景畫佩格拉（佛羅倫薩）劇院的舞臺燈光設(shè)計(jì)實(shí)習(xí)詹卡洛·安吉魯奇，指揮Federico Fellini（費(fèi)德里科 費(fèi)里尼）的舞臺實(shí)習(xí)與專業(yè)插畫師Liza Schiavi（莉莎·希亞維）一起為期兩周的實(shí)習(xí)，參加設(shè)計(jì)師Benno Simma（本諾·西馬）參與的展覽研討會在藝術(shù)家Riccardo Rizzo的監(jiān)督下，在博爾扎諾市的一個(gè)特定區(qū)域進(jìn)行的壁畫，從歷史的角度來看，具有特別的重要性。為廢物處理公司Mascotte的建設(shè)競爭而詳細(xì)制作的圖形 - Alto Adige Ecocenter由參議院議長Pietro Grasso（彼得·格拉索）在2015年羅馬舉行的“l(fā)l Ventaglio del Presidente（總統(tǒng)的粉絲）”頒獎(jiǎng)典禮上獲得頒獎(jiǎng)現(xiàn)代舞課程公司的舞蹈劇場課程以及參與了劇場消防演習(xí)（2016）參加編舞者 Chiara Burgio（齊亞拉布樂嬌） 的舞踏課程。
possiedo buone competenze comunicative acquisite durante la mia esperienza promoter di eventi, esperienze di animatrice, esperienze all'estero di lunga durata, accoglienza artisti e logistica presso il Festival Fabbrica Europacompetenze acquisite durante lo svolgimento di molteplici aree di progetto in ambito scolastico e l'attività di babysitting e animazione, ideazione e organizzazione di spettacoli di danza, logistica presso Festival Fabbrica Europa-buona padronanza dei software Adobe: Photoshop CS5.5, Illustrator CS5.5, Indesign CS5.5,abilità in lavori manuali: pittorici, plastici, grafici, tecnici, di allestimentobuona padronanza della macchina fotografica digitale e analogicadanza buto teatro danza Cantieri Isolotto, compagnia Virgilio Sieni, progetto di riqualifica del quartiere di Isolotto, Firenze, 09/2017
Presentazione performance artistica di danza contemporanea Muoviti Fermo della coreografa Chiara presso il Festival Moving Bodies a Torino Presentazione performance artistica di danza contemporanea Vespri della coreografa Chiara Burgio presso il giardino botanico di Firenze in occasione di Pitti Uomo 2017ideazione di spettacolo di danza col fuoco per notte bianca a Lugnano in Teverinastage presso il teatro Alfa (Pilsen, Repubblica Ceca) di costruzione e manutenzione di marionette e scenografiestage presso il teatro la Pergola ( Firenze ) di macchineria e di illuminotecnicaStage su Federico Fellini condotto da Giancarlo Angeluccistage della durata di due settimane presso l'illustratrice professionista Liza Schiaviworkshop di allestimento fieristico con la partecipazione del designer Benno SimmaMurales svolto in una determinata zona della città di Bolzano avente particolare importanza dal punto di vista storico in occasione della giornata della memoria sotto la supervisione dell'arstista Riccardo Rizzoelaborato grafico in occasione del concorso per la realizzazione della Mascotte per l'azienda di smaltimento rifiuti – Alto Adige Ecocenter terzo classificato al concorso instituito dall'azienda Ecocenter 2011, Bolzanopremio consegnato dal presidente del senato Pietro Grasso in occasione della cerimonia annuale “ ll Ventaglio del Presidente” 2015, Roma corso di danza moderna (2009 - 2014)
corso di teatro danza e manipolazione del fuoco presso la Compagnia dei focolieri (2016)focolieri corso di danza butoh presso la coreografa Chiara Burgio (2016 – 2017).
Giada Biagioni
Lorenzo Ermini
人的本性是不確定的，沉著的。在這些圖像中，那些堅(jiān)固的幾何結(jié)構(gòu)顯示出它們自己最隱秘和神秘的一面。
Lorenzo Ermini1996年出生于蒙特瓦爾基（AR），他在佛羅倫薩美術(shù)學(xué)院學(xué)習(xí)。2017年，他參加了位于佛羅倫薩的加利福尼亞州立大學(xué)的“藝術(shù)與藝術(shù)”集體展演，并于巴迪亞阿魯奧蒂（Ar）舉辦了他的第一場個(gè)展。他還參與了在佛羅倫薩的“Runaseta”集體演出，他是EnEGC藝術(shù)獎(jiǎng)的得主之一。2018，他參與了TIAC ExpAcess空間的“MyaMaFoSi”集體展演。
Lorenzo Ermini was born in Montevarchi (Ar) on 10-08-1996, he study at Academy of Fine Arts of Florence. In 2017 he
parteciped at "Arte per Arte" collective show at California state university in Florence and had his first solo show in Badia a
Ruoti (Ar). He also parteciped at "Rinascita" collective show in Florence and he was one of the winners of Enegan art prize.
In 2018 he parteciped at "Metamorfosi" collective show at TIAC expositive space.
作品名稱：《隱形的人》
作品大小：45x30 cm
作品名稱：《 無界的光》
作品大小：45x30 cm
作品名稱：《不安的人生》
作品大小：30x45 cm
Sangaeva Natalie 娜塔莉亞·桑加耶娃
日期：2017年11月至今，工作和崗位覆蓋：3D圖形行業(yè)的自由職業(yè)者
日期：2015年4月至2015年8月，工作或職位覆蓋Graphic designer 平面設(shè)計(jì)師,主要活動和平面設(shè)計(jì)的演示項(xiàng)目責(zé)任雇主的姓名和地址
莫斯科，俄羅斯工作聯(lián)合會
日期：2014年六月至2015年3月，工作和職位覆蓋Graphic designer平面設(shè)計(jì)師項(xiàng)目的主要活動和平面設(shè)計(jì)的責(zé)任介紹
Date11.2017 – attualmente Lavoro o posizione ricopertiLibera professionista nel settore della grafica 3D
Date04.2015 – 08.2015，Lavoro o posizione ricoperti
Principali attività eGraphic design delle presentazioni dei
responsabilitàprogettiNome e indirizzo del datore di OOO “Strojholding MO”, Mosca, Federazione lavoroRussa
Date06.2014 – 03.2015，Lavoro o posizione ricoperti Principali attività eGraphic design delle presentazioni dei responsabilità progetti
Silvia Cagotzi
robert zamboni
湖北美術(shù)學(xué)院
Hubei Institute of Fine Arts
聯(lián)合策展人：張樸
湖北美術(shù)學(xué)院攝影專業(yè)介紹
湖北美術(shù)學(xué)院攝影專業(yè)建構(gòu)在視覺傳達(dá)設(shè)計(jì)系，以培養(yǎng)高層次圖像人才為目的。課程設(shè)置和教學(xué)體系充分的利用了美術(shù)院校的資源優(yōu)勢，打通學(xué)科與學(xué)科之間的專業(yè)屏障，吸納有助于專業(yè)發(fā)展的課程并導(dǎo)入到教學(xué)體系之中，將材料、載體、表現(xiàn)技法、圖像語言等作為重點(diǎn)難點(diǎn)加以研究，使教學(xué)更具探索性和實(shí)驗(yàn)性。
教學(xué)內(nèi)容以分為三大板塊：一、以商業(yè)廣告攝影教學(xué)為培養(yǎng)方向的教學(xué)板塊；二、以新聞傳播為培養(yǎng)方向的教學(xué)板塊；三、以現(xiàn)當(dāng)代圖像觀念藝術(shù)為培養(yǎng)方向的教學(xué)板塊等。涉及廣告圖像創(chuàng)意設(shè)計(jì)藝術(shù)、新聞與現(xiàn)代傳播、媒體與網(wǎng)絡(luò)藝術(shù)、現(xiàn)當(dāng)代藝術(shù)分析與批評及當(dāng)代圖像藝術(shù)表現(xiàn)等課程，旨培養(yǎng)具有當(dāng)代意識的復(fù)合型圖像設(shè)計(jì)人才。
Aiming to cultivate high-level image talents, in Hubei institute of fine arts, the major of photography is in Visual Communication Department. With the advantage of the resource of our institute, the curriculum and education system has broken the barrier between the subjects and lead in all the courses, which is helpful to the development of the major. Material, carrier, representation technique and image language are the emphasis and difficulty of our research which makes the teaching more exploratory and experimental.
Photography Education can be divided into three systems in Hubei Institute of Fine Art:
1. Commercial advertising photography
2. News and media
3. Contemporary image conceptual arts. Based on cultivating application-typed talents, the students are involved in creative design arts of advertising image, news and modern communication, media and internet arts, contemporary arts analysis & criticism and representation of contemporary image arts, etc., so that they can become compound-typed design talents with contemporary consciousness.
張樸 ZhangPu
張樸 ,1963年生于武漢1988年畢業(yè)于浙江美術(shù)學(xué)院（現(xiàn)中國美術(shù)學(xué)院）獲學(xué)士學(xué)位，2008年獲武漢大學(xué)碩士學(xué)位現(xiàn)為湖北美術(shù)學(xué)院教授 碩士生導(dǎo)師 攝影專業(yè)負(fù)責(zé)人 中國攝影家協(xié)會會員湖北省攝影家協(xié)會會員
從事攝影、平面設(shè)計(jì)的教學(xué)和研究工作。論文、作品多篇幅發(fā)表于國內(nèi)學(xué)術(shù)期刊和專業(yè)年鑒中，攝影、設(shè)計(jì)作品多次參加國內(nèi)外攝影、設(shè)計(jì)展覽并獲獎(jiǎng)。
19世紀(jì)中期，俄國人來漢口做起了茶葉生意，老漢口“巴公房子”的主人就是茶商俄國皇室貴族、沙皇尼古拉二世的表親巴諾夫兄弟。“李凡諾夫公館”的原主人李凡諾夫，也是當(dāng)時(shí)漢口的著名茶商。這些俄國茶商與中國的茶葉貿(mào)易長達(dá)半個(gè)多世紀(jì)，開啟了漢口作為“東方茶港” 黃金時(shí)代。這些老建筑與“江漢關(guān)”、“大智門車站”一道見證了漢口作為中國磚茶之都的輝煌。
In the mid-nineteenth century，Russians begin their business of tea in Hankou, the owners of the old Hankou's house is the tea merchant Russian noble czar Nicholas ii's cousin, the Banovs. Li Vanov, the original owner of "Li Vanov Mansion", was also a famous tea merchant in Hankou at that time. These Russian tea traders traded with China for more than half century, it opened the golden age of Hankou as the "Oriental tea port". Together with "Jianghan Pass " and "Dazhimen Station ", these old buildings witnessed the brilliance of Hankou as China's brick tea capital.
作品名稱：《 東方茶港》
作品材料：重鉻酸鹽工藝
作品大小：37*26cm
創(chuàng)作年代：2017
鄧乾維 DengQianWei
通過傳統(tǒng)攝影的手工轉(zhuǎn)印形式與現(xiàn)代數(shù)字影像結(jié)合的創(chuàng)作方式，表現(xiàn)影像多維翻轉(zhuǎn)后，經(jīng)過對平面影像的解構(gòu)與重構(gòu)，單一視覺感受的逐漸多元化；并從中探究攝影在多媒介結(jié)合的創(chuàng)作方式中，其本體語言在不同層次下所表現(xiàn)出的特點(diǎn)與轉(zhuǎn)變。
Through combining traditional photography manual transfer form and the modern digital image to perform image multi-dimensional flips, then through deconstructing and reconstructing the plane image to make the single visual feeling gradually multiplies, at the same time, exploring photography ontology language how to showing characteristics and changes at different levels in the multi-media combination context.
作品名稱：《 西北偏西》
作品材料：轉(zhuǎn)印工藝
作品大小：36*24cm
創(chuàng)作年代：2018
張歡 ZhangHuan
張歡, 1991年5月生于湖北黃石。高中畢業(yè)后，進(jìn)入到湖北美術(shù)學(xué)院學(xué)習(xí)攝影專業(yè)，畢業(yè)后在深圳學(xué)習(xí)深造，目前生活工作于武漢、深圳兩地。
這組作品并不以記錄現(xiàn)實(shí)為主要任務(wù)，所以畫面中的實(shí)物自然也不是它們原本在客觀現(xiàn)實(shí)世界中的意義，每一個(gè)拍攝元素、每一種無序的重復(fù)排列、每一種色彩樣式都是作為一種承載著作者創(chuàng)作觀念的視覺圖像符號而存在于畫面中的。作者希望通過這些純粹的符號來制造“影像散文”，而這種“影像散文”是很難翻譯為語言句子的，對于不同生活背景、不同年齡階段、不同職業(yè)背景的不同觀者，這些“影像散文”為其帶來的一種情緒、一縷詩情、一些感性和些許突發(fā)性的審美意味都是千差萬別的，而這些隱含著的意味最終也都是以一種對我自的反觀和思考為前提和最終歸宿的，所以這也是這組作品存在意義所在。
This group of works on-screen physical nature that they had not only bear with the real world in the objective sense , but every shot elements, each arranged in a disorderly repeated , each color styles are bearing the author as a creative the concept of visual images and symbols present in the screen , the authors hope that through these pure symbols to create " images prose" , and this " image prose" is difficult to translate the language of the sentence , for different life backgrounds, different ages different professional backgrounds of different viewers , these " video essay" bring to an emotion , a ray of poetry , some of the emotional and aesthetic meaning little unexpected are vastly different , and these implicit implication ultimately are in a right hand, and since I think the premise and the final fate .
作品名稱：《soliloquy》
作品材料：冷壓美術(shù)紙
作品大小：90*70cm
創(chuàng)作時(shí)間：2013
